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The film was originally scripted as a straightforward remake of the 2003 South Korean horror film Into the Mirror which is rated 15 by KMRB. However, once Aja was brought on board and read the script, he was dissatisfied with the particulars of the original film's story. He decided to retain the original film's basic idea involving mirrors, and to incorporate a few of its scenes, but otherwise crafted a new story and script for his version of the movie.[4] A sequel titled Mirrors 2 was released in 2010.

Alan Scherstuhl, writing for The Village Voice, describes Little Boy as a "cynical, poisonous, deeply stupid film."[14] Christy Lemire wrote in RogerEbert.com, "even by this genre's standards, the sentimental way the story twists and ends is as shameless as it is maudlin."[15] Michael Phillips, writing for the Chicago Tribune, criticized the use of the bombing of Japan, and wrote, "Little Boy answers a question most tear-jerkers wouldn't have the nerve to ask: Can the bombing of Hiroshima be manipulated narratively, if briefly, into a position of warming our hearts? The answer is no."[16] Tim Drake of the National Catholic Register said the film "mirrors the Holy Trinity. ... [Jakob] Salvati brings an endearing delight to his role. He is a pleasure to watch. ... The film is a nostalgic parable about faith. Yet it's not what would be described as a faith-based film. Rather, it's a mature story containing Catholic elements. It treats both the faith of Father Oliver and the lack of religious faith of Hashimoto with respect." However, Drake does object to the way in which it treats the atomic bombing of Japan.[17] Kathryn Jean Lopez of the National Review said that the film's message is "subtle and luminous", and the film is "remarkably sweet in the least saccharine but also most humane way... a tender movie that inspires hope." She summarized it as a "heart-wrenching and encouraging movie dealing with life and death, and with faith, hope and love."[18] Adam R. Holz, editor for the entertainment reviewing arm of Focus On The Family Plugged In, reviews: "Little Boy, then, can certainly serve as a solid (and delightfully entertaining!) launching pad for discussions about what it means to believe, and how we navigate the specifics of why we believe what we believe about miracles and God's sustaining hand in the midst of danger and tragedy. It also powerfully addresses the way we (should) treat those we think are our enemies."[19]

Mirror, Mirror is a 1990 American supernatural horror film directed by Marina Sargenti, based on a screenplay by Annette Cascone and Gina Cascone. It stars Karen Black, Rainbow Harvest, Yvonne De Carlo and William Sanderson. The film follows a teenage outcast who finds herself drawn to an antique mirror left in the house she and her mother have moved into. A soundtrack for Mirror, Mirror was released in 1990 through Orphan Records.

Film School Rejects gave a mixed review and stated that it was "well-acted, looks quite good, and manages some moments of entertainment, but as the minutes tick by it grows weaker and weaker until its final cheat is designed to allow for a shocker ending."[28] Wendy Ide of The Times gave the film 2/5 stars, writing: "It's certainly worth taking a glance at this looking glass, but horror fans may find the reflection a little familiar. Substitute a videotape for the mirror and it's basically Ring."[29]

Several versions of the script for Mirror exist, as Tarkovsky constantly rewrote parts of it, with the latest variant written in 1974 while he was in Italy. One scene that was in the script but removed during shooting was an interview with his mother. Tarkovsky wanted to use a hidden camera to interview her on the pretext that it was research for the film. This scene was one of the main reasons Vadim Yusov, the cameraman for all of Tarkovsky's previous films, refused to work with him on this film.[10] At various times, the script and the film were titled Confession, Redemption, Martyrology, Why are you standing so far away?, The Raging Stream and A White, White Day (sometimes also translated as A Bright, Bright Day). While filming, Tarkovsky decided to title the film Mirror.[8] The film features several mirrors, with some scenes shot in reflection.

Having then been told to suit up to go onto the mission in just a few minutes, Parker then prepared for his upcoming fight with all of the rogue Avengers and put on his original suit and warmed himself up by filming himself in the mirror. Hogan soon walked in on Parker and, bewildered, asked Parker why he was not wearing the suit that Tony Stark made him, only for Parker to question what Hogan meant as he had not yet found anything from Stark in the hotel for him.

A vinyl record of the film was made at the time of the film's release, including the film's songs and score. The full soundtrack, however, was not available on compact disc until August 4, 2017, when a two-disc album was released as part of the Walt Disney Records: The Legacy Collection series (also launched in digital-download format). 2b1af7f3a8